About the Team
Troy Jones
co-producer/director
Troy Jones is a seasoned leader with over three decades of experience in media and advertising technology, honed through roles at prominent radio and television stations, including the renowned NBC affiliate KRON-TV.
Transitioning to the startup arena, Troy joined WideOrbit, where he contributed to groundbreaking software solutions aimed at enhancing business operations for media companies. Troy's leadership and commitment to excellence make him a leader in the industry, continually pushing boundaries and helping teams thrive in the evolving media technology landscape.
Trudy Hutcherson
director of photography
Trudy Hutcherson’s skill as a visual storyteller is grounded in her ability to craft compelling images. Her career began over twenty years ago at GVI, a DC-based production company, specializing in messaging pieces for non-profit organizations. Since then, her work has expanded to include international news, newsmagazines and documentaries, work that has taken her all over the world. She covered the Iraq war, Hurricane Katrina, and the 2010 earthquake in Haiti, among many other major stories.
Currently, she is shooting and producing media for the Smithsonian African American Museum and shooting a documentary series that explores religious faith through the lens of African American millennials.
Susan Burgess-Lent
executive producer
Susan is an EMMY award-winning editor, international aid worker, author, and public speaker. She served as Program Director of Darfur Peace and Development Organization (DPDO) from 2006 – 2010, providing support in Darfur for those displaced by the genocide. Susan is Founder of Women’s Center’s International, a non-profit that creates resource centers for women affected by conflict and poverty.
She earned a BA in Business Management from the University of Maryland University College and certifications in International Humanitarian Law and Disaster Response from the American Red Cross. She is the author of three published books, many short stories, and over 150 essays. She lives in Oakland, California.
Dave Lent
co-producer/director
Dave is a producer, cameraman, editor, and writer with a five-decade career spanning news, commercials, documentaries, corporate, and sports production. His clients include major broadcasters worldwide, among them CNN, ESPN, FOX, CNBC, MSNBC, FUJI, NHK, ARD, and YLE. He has produced and shot eight documentaries, including Life Without…Inside San Quentin (PBS), Staying Alive (KQED), Hotel Macedonia, The 5 Keys to Mastery (American Public Television), and The Invoice (in production).
Dave has shot twelve documentaries for the BBC, ITN, and Granada, and ‘reality’ shows for TLC (Honey We’re Killing the Kids), and MOJO (Bobby G: Adventure Capitalist).
He is the author of The Laws of Camerawork and Video Rules, editor of The Mastery Class, and inventor of the SteadyBag, LensEnd, PicupStix, and GelFile – production accessories used by professionals worldwide. Dave lives in Oakland, California. daveandcompany.us
Ronna Fleischman
field producer
Our Allies
Erin Lee
editor
As a shooter, editor, sound designer, and writer, Erin has produced and edited videos for travel shows, commercial spots, non-profits, tech startups, and is an award winning editor for both short and feature narrative independent films. Erin is originally from Miami, with roots in the Bay Area, Canada and the Caribbean.
John Dresslar
legal consultant
Will Parrinello
consulting producer
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Docs in Progress
fiscal sponsor
Our Company
Stories designed to help all Americans prosper
Trudy's Why
Tulsa, OK holds a special place in my heart, interwoven into the fabric of my childhood memories. It's where I cherished Christmases with Granny and Pops and spent hot summers at the pool with my cousins.
My mother and her eight siblings grew up in the northern part of the city, in a humble two-bedroom house. Even in my youth, I recognized this neighborhood as predominantly Black and underserved—a stark reality that persists today.
Now, I understand Tulsa as a city still bearing visible scars from the repeated economic oppression of African Americans. This oppression has manifested violently, from slavery to the devastating 1921 Race Massacre, where White rioters destroyed the thriving Black community of Greenwood. It has also been systematic, evident in practices like redlining, urban renewal, predatory financial schemes, and racial disparities within the justice system. Each of these injustices has weighed heavily on the African American community in Tulsa, and despite the passage of time, neither my family nor the community as a whole has been made whole.
This is the history of my family and the context from which my advocacy for reparations emerges. Can you guess which adorable youngster is me?
Dave's Why
For the first 18 years of my life, I knew only 2 black people - the first, when I was 7 or 8 years old, was a Pullman porter, a wonderful older man who took care of me on a train trip to visit my grandparents in Iowa. I met another black person while I was in high school in Texas. Her name was Etta. The grandaughter of a slave, she worked as my mom’s maid.
It was a few years later - my first semester at North Texas State - when segregation effectively ended…for me. NTSU had a huge number of black students and I got to know a lot of them. At the time, I remember thinking: “Damn, I’ve been cheated my whole life out of knowing these people!”
Cheated out of all the friendships, teammates, and girlfriends I might have enjoyed, if not for racial segregation.
And I would soon learn that the methods by which black people were being cheated were on a whole n’other level.
This project blends my two favorite movie genres - time travel and big money heists. In fact, the 250 year theft of Black America’s share of our nation’s wealth may be the biggest heist ever pulled off in the United States.
And the project touches me in another, personal way: I’ve always regretted not serving my country. Because of a football injury in high school, I escaped the draft and possibly a one-way flight to Vietnam.
So by working to help white Americans understand the scale of the damage done to black Americans, and the enormous opportunities created for white Americans, I feel, at last, that I’m serving my country. Because once we’ve settled our debt to black America, I believe we’ll begin to see a society unfolding in ways only possible when the playing field is level.
So I hope you’ll join us on this long and long-overdue mission to make America fair…for the first time.
Troy's Why
When I reflect on my story, it often reminds me of the great Stevie Wonder song “I Wish”, starting with “Looking back on when I was a little nappy-headed boy” (and not just because of the hair) …because times were often rough, but we made the most of it, and I wouldn’t trade those experiences for anything… You see I am from Columbus, Ohio, born at a time, 1965, when the civil rights movement was in full effect. My parents married at a young age and had me and my little brother before they were barely in their 20s. They were also civil rights activists who participated in the movement, organizing marches, strikes, boycotts, etc. And they taught us to be proud of who we were and where we came from.
But my family life soon would become even more impacted by America’s unfair treatment of Black and poor people when my father was drafted to fight in the Vietnam War, even though he was married and had 2 small children to care for, 3-year-old me and my infant brother. He refused the draft because he believed it was unfair to fight a war for a country where he was denied the same fundamental rights and equal opportunities as white Americans. He was sentenced to 3 years in federal prison, by a white judge who routinely gave white conscientious objectors a sentence of community service.
Throughout my childhood, we often lived with extended family members to survive, and when I turned 12, we moved from Columbus, Ohio to go live with my aunt in San Rafael, California, which is a small town in Marin County, a short car ride across the Golden Gate Bridge from San Francisco.
Talk about culture shock, Marin County is one of the most affluent and homogenized white places to live in the entire country. So not only did I leave everything and almost everyone I’d ever known, but I also went from living in mostly Black, inner-city, lower-income neighborhoods, (my elementary school was 98% Black) to a suburban, affluent, and predominately white community (my new school was probably 90% white, with only a handful of other Black students).
But this move opened my mind and taught me how to get along with everyone and forced me to find common ground to work with people from all walks of life. It also enlightened me to understanding generational wealth and how it’s maintained, seeing how people with financial security and living in safe environments allow children to grow up believing in their ability to accomplish anything they set their minds on. Moreover, I've seen how this comfort level and privilege will enable folks to thrive in this country and continue to provide and maintain wealth for future generations.
In closing, I believe this economic safety net (generational wealth) that African Americans have been systematically excluded from attaining throughout this country's history is what reparations can help bring to many African Americans who are struggling and unable to create the same opportunities for their families.
Susan's Why
I grew up in a white suburb of Detroit. Motown provided the sound tracks of my high school years.
I did not know any black people until I moved to California in the mid-70s to work in television. It was hard to find a black face in a sea of white ones until the 90’s. I left the business just as news anchors and crews of different colors were arriving. The move ushered in the peak period of my working life.
After the initial thrill of entering the humanitarian aid and development business, l saw pretty much every one of my sacred cows slaughtered.
It was more satisfying to be an outlier working with small organizations based in Africa. I was the color of the minority colonizer but intent on disrupting the classist, male-dominated, ‘Global North’ approaches. I learned humility and an appreciation of the absurd from my African colleagues and friends.
Over time I understood something of the pain, horror, and grief that threads through the lives of black human beings. An apology hardly covers the enormity of insults endured Living While Black. But I’m not looking to shoulder shame and guilt. I’m seeking the way to connect as human beings. We’re sure to be better that way.
I want to see policies and actions that bring justice, a fair shot for everyone at the promise that could be American prosperity. Reparations are a way to achieve this.
The very old financial debt to descendants of slaves is the responsibility of the United States government. Our purported representatives have been there every generation, never pressed to change policies though times of slavery, Jim Crow, Massacres, and Redlining. Now in the time of mass Incarceration and systemic ‘normalized’ discrimination, we have a duty to turn the tide. I want to help that process.
The Invoice is how I contribute. How about you?